Wednesday, August 21, 2013

Symbolic and Structural Violence in Sherman Alexie's "Indian Killer"

My project is on Sherman Alexie’s 1996 novel Indian Killer. The major thrust of my paper will be on Indian Killer’s theory of indigenous identity as it is developed through the four questionable/ing Native characters:  John Smith, an Indian adopted and raised by white parents, Marie Polatkin, a reservation Indian matriculated at a Seattle university, Jack Wilson, a writer claiming indigenous blood, and Reggie Polatkin, a mix-raced Indian struggling with self-loathing.

Though questions of identity take up voluminous space in the novel, it is the pairing of these identity questions with the mysterious and horrific murders that drive the plot of the novel that, I will argue, bridge issues of individual identity practices with macro issues of inequality.  By focusing on the violence and the anger within the novel, what might be read as a postmodern ethnic American piece of literature can change shape into a critical commentary about how instances of inequality and histories of injustice relate to the psychologies and life choices of individuals.  As such, my reading of Indian Killer will not only present the theory of Native identity propounded in the novel, but it will also pull out the narrative techniques that highlight the relationship between individuals’ intrapsychic development and interpersonal relationships and their socioeconomic statuses and relationship to the state apparatus.

In many ways, this project relates to my larger interest in the novel as a utopian form of experimentation and activism—a space where language and narrative innovations link the symbolic violence that is often tied to issues of identity with the structural violence that commands the attention of many social scientists.


I really look forward to everyone’s thoughts and comments!

Lauren Silber
Ph.D student in English and American Studies
University of Massachusetts Amherst

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